Antonio Banderas looked dapper in a white dinner jacket as he joined his partner Nicole Kimpel at the amfAR Gala in Venice on Sunday.
The Spanish actor, 64, paired his jacket with black trousers and held the hand of investment banker Nicole, 43.
Antonio Banderas wore red-lensed sunglasses and Nicole, who appeared to be braless, paired her floor-length dress with heeled gold sandals and gold chandelier earrings.
Antonio Banderas took off his sunglasses for an indoor shot, expertly smizing next to Nicole as the pair wrapped their arms around each other.
The Shrek actor and Nicole have been together for 10 years, getting together after Antonio and Melanie Griffith’s marriage broke down.
Neither have confirmed if they are married, but Nicole goes by ‘Nicole Banderas’ on Instagram.
Just on Friday, the couple stunned at the Venice Film Festival premiere of Babygirl starring Antonio and Nicole Kidman.
Antonio, who stars as Jacob in the erotic thriller, looked handsome in a black tuxedo suit as he put on a loved-up display with his partner Nicole, who wore red, on the red carpet.
During the event, Antonio Banderas was joined by his co-star Nicole, 57, who stars as high-powered CEO Romy in the movie.
In the film, Nicole’s high-powered New York business executive starts a risky affair with her much-younger intern, played by Harris Dickinson.
She admitted she felt ‘vulnerable’ filming multiple scenes of masturbation, plus a depiction of a submissive/dominant relationship for the erotic new thriller.
Rising British star Harris has a career-making turn as Samuel, the intern who intuits that his boss Romy, the CEO of a tech firm, wants to be dominated.
Nicole has made nothing like it since the dream-like erotic thriller Eyes Wide Shut with then-husband Tom Cruise 25 years ago.
She said that an intimacy co-ordinator and closed set had been vital to conjuring the sex scenes which tell the story of her character’s existential crisis, resolved through a taboo-busting sexual odyssey.
Nicole said: ‘I think this film is obviously yes about sex, but it’s about desire it’s about your inner thoughts, it’s about secrets, it’s about marriage, it’s about truth, power, consent.’
‘This is one woman’s story and this is I hope a very liberating story. It’s told by a woman through her gaze. It’s Halina (Reijn’s) script, she wrote it and she directs and that made it unique, that suddenly I was going to be in the hands of a woman with this material. It was very dear to our shared instincts and very, very freeing.’
She added: ‘I don’t think there’s a judgement attached (about the character). It’s for each person to react to Romy and the way she behaves. My connection to it is that I want to examine human beings, women, on screen, to explore what it means to be human in all the facets of that and the labyrinth of that.’
She said that she was: ‘exposed and vulnerable and frightened when it comes to giving it to the world’ but that her experience of making it had been: ‘delicate and intimate and very deep.’
She added: ‘I knew she wasn’t going to exploit me. However, anyone interprets that, I didn’t feel exploited. I felt very much a part of that. There was enormous caretaking by all of us, we were all very gentle with each other and helped each other. It felt very authentic, protected and, at the same time, real.’