Kate Moss looked as though she’s barely aged a day as she posed for a sizzling new shoot on Monday.
The model, 51, proved she’s still got it as she starred in a campaign for Kismet by Milka, the fine jewelry and premium piercing brand.
For the shoot she showed off her youthful and toned figure in a sexy, plunging black dress which clung to her physique.
Kate Moss was adorned with the brand’s stunning jewellery including a quirky necklace and earrings, and wore her blonde tresses in a bouncy blow dry.
Other shots from the gorgeous shoot showed her behind-the-scenes as she flashed some leg in just a white shirt and heels.
The shoot comes as a new biopic called Moss & Freud about her life has been released – starring Ellie Bamber.
Kate Moss & Freud, released over the weekend, explores the unlikely bond between Kate and Lucian Freud, who together curated Naked Portrait in 2002.
The distinguished artwork captured a nude, then 28-year-old Kate while she was pregnant with her daughter Lila, who she welcomed with ex Jefferson Hack.
Kate Moss served as executive producer, with British actress Ellie, 28, playing the iconic supermodel and 86-year old Emmy winner, Derek Jacobi, starring as Freud.
The image, which was painted by Lucian – then 80 and at the time 52 years older than Kate – showcased the model in a way she’d never been seen before.
The result was groundbreaking, with the painting fetching a whopping £3.5million at an auction years later.
Lucian and Kate’s time together established a one-of-a-kind friendship, and the model would later describe him as ‘the most interesting person’ she’d ever met.
So fierce was their bond, prying eyes have long questioned whether they shared something more than just friendship.
The German-born painter – also famed for his modern and selfie-esque painting of The Queen in 2001 – passed away aged 88 over a decade ago.
Moss & Freud, aims to explore his life and art, and focuses strongly on how the 90s superstar came to be his beloved muse
Kate’s arrival on the scene in the early 90s signified a new era of models, joining the likes of Naomi Campbell, Cindy Crawford and Linda Evangelista as some of the biggest names in the industry.
Meanwhile Lucian Michael Freud, born in 1922 in Berlin, Germany, was by then a renowned painter and draughtsman who specialised in figurative art; his work on human subjects such as friends, family and lovers earned him the reputation as one of the foremost 20th-century English portraitists.
Written and directed by James Lucas (and executive-produced by Moss herself), the film focuses not on the finished painting but on its creation, and the pair’s evolving relationship.
As the film tells it, it was her idea to take all her clothes off, a response to his desire ‘to get to the core of the being’.
To her initial consternation, he required her to pose three evenings a week at his Holland Park studio ‘until it is finished’.
The project took him nine months, and in that time (during which Moss found that she was pregnant) they struck up a close friendship somewhat at odds with their age gap of more than 50 years.