Rihanna says no to yet another Drake collaboration on her new album, as the Fenty fashion mogul revealed that her next album is going to be more of Reggae tunes.
Rihanna says her new album does not have a name yet, as she finally listens to her fans who have been urging her to drop an album. Although she does not have a name for the album yet, if there is anything we know we should not expect to be in the new album, is that Drake will not feature in the album. But Buju Banton might be given the nod to feature on the new album, after the two were spotted together some weeks back.
The Rihanna and Drake collaborations over the years have seen them produced songs such as Work (2016), What’s my name (2010) , Too Good (2016) and Take Care (2011).
Rihanna said all these when she sat down with Jeremy Harris of T magazine in London to discuss her fashion line and how she has been coping with that and her music. See the questions and answer sessions as shared by T magazine on Instagram:
JH: What are some of the things you’ve come to appreciate since you’ve moved to London?
Rihanna: Walking around the block.
JH: Wait, you can walk around the block? Because here, they had to shut everything down.
Rihanna: No! This is not a regular day in London. It’s a bank holiday. Everyone’s out. It’s insane.
JH: Do people recognize you?
Rihanna: When I go walking, I try to keep it a little incognito.
JH: Well, you are Rihanna. Which brings me to my first question: What draws you to collaborate with a company like LVMH? I feel like you’re as big as LVMH, if not bigger.
Rihanna: Whoa. That’s kind of crazy to say.
JH: It’s true, though. Numbers don’t lie.
Rihanna: I’ve been slowly evolving throughout the fashion world. First wearing it, buying it, being recognized for my style and then collaborating with brands. I never just wanted to put my name on something and sell my license. I’m very hands-on, so I wanted to take it slowly and gain respect as a designer. I already had a relationship with them after the Versailles campaign and the makeup line, so they extended the offer to me and it was a no-brainer because LVMH is a machine. Bernard Arnault was so enthusiastic; he trusted me and my vision.
JH: When they came to you with this, was part of your calculus, like, “I’m gonna be the first black woman to do this?”
Rihanna: No, and I didn’t even know that until months into our relationship when Jahleel brought it to my attention. And I’m like, “Are you sure about that? Did you do your research? ’Cause I don’t wanna state a claim that’s [expletive].” Because I still couldn’t believe it. It made me feel proud.
JH: It’s the unmapped territory. What models did you have — or were you purely going from one task to the next?
Rihanna: I didn’t have these dreams when I was little. I had a dream of making music; that’s it. I didn’t even think about the fame part, and then that happened, and it’s like, “Do I really like this? How much do I really love music that I’m dealing with this?” Then the one-hit-wonder comment came straight out of the gate and that put a fire under my ass, and I just never stopped working. Every time it was about challenging myself: I have to do better, I have to do better. And what’s next, what’s next? I won a Grammy and that was seconds into my past as soon as it got into my hands. I have to think about the next thing, which is terrible because people should live in the moment. I just started branching out into different creative outlets. That’s what makes me happy.
JH: Something that one of my mentors, the playwright Branden Jacobs-Jenkins, said to me is, “Never let anyone rob you of your right to fail.”
Rihanna: You know what’s crazy, I have a tattoo that’s written backwards so I can read it in the mirror: “Never a failure. Always a lesson.” So what you just said is, like, boom! How are you gonna learn without making mistakes? Did you believe your mom when she said, “Don’t touch the iron”?
JH: No! None of us did.
Rihanna: You had to touch it, right? You had to get burned.
JH: What lessons do you think you could learn from failing with this Fenty project?
Rihanna: So many, because it’s the beginning of a new world. Everything was a collaboration, so I’ve plugged my DNA into theirs, but there was already a blueprint. I’m learning so much: about the tailoring, the fabric — I’m seeing fabrics that I’ve never seen in my life.
JH: What are some of those fabrics?
Rihanna: One of them is called Weapon. That’s what we ended up making our suits in. Even making clothes in luxury is different. All the techniques are, like, ridiculous.
JH: I mean, all of the boning on your dresses is —
Rihanna : I love a corset. We put a corset in a suit, a dress, a shirt, a denim jacket and a T-shirt dress.
JH: It’s so femme. But you’re using traditionally masculine shapes (the suit, the chore coat) to tell a complex narrative about the Fenty person. What is the Fenty person’s relationship to masculinity and femininity?
Rihanna: I use myself as the muse. It’s sweatpants with pearls or a masculine denim jacket with a corset. I feel like we live in a world where people are embracing every bit of who they are. Look at Jaden Smith, Childish Gambino. They dare you to tell them not to.
JH: To me, part of being Rihanna is twerking on a yacht and walking out of a bar with a wine glass. You’re like a modern Dionysus, a goddess of the party, the turn-up. Does that feel true to you now as Fenty’s muse?
Rihanna: There has been quite an evolution in that party. In the beginning, it was just my culture, my life. And now, the party, believe it or not, is at work. I do not go out. I will go to dinner. I try to have as much fun as I can during work. And even after work, when I’m literally in my kitchen having a drink, I invite all my staff. And we work, still.
JH: Do you think that that ability to party with your staff comes from the fact your associates and staff, known as #TheCorp, are like family?
Rihanna: I see them more than my family and spend most of my life with them. It becomes friendship first, and then it leads into family because we lean on each other. I’m sure it’s really different from any other boss-employee relationship.
JH: Using your family name as the anchor of this company and Fenty Beauty seems to recall the idea of a family business. What was behind that choice?
Rihanna: I used to be afraid to step into the whole celebrity makeup world. I saw brands like Hilary Duff and Hannah Montana have so much success [in the aughts], but it got to a place where they were so oversaturated in the market that it diluted their personal brands. It made me think, “I’m not going to do this because you lose your respect and credibility,” and so every collaboration I did outside of music, I used Fenty so that you didn’t have to hear the word “Rihanna” every time you saw something that I did. So Rihanna stayed the music, the person. But these other brands are called Fenty.
‘YOU’RE GOING TO BE BLACK WHEREVER YOU GO. AND I DON’T KNOW IF IT’S UNFORTUNATE FORTUNATE BECAUSE I LOVE BEING BLACK.’
JH: Do you know where your last name comes from? I looked it up.
Rihanna: Really? You’re about to teach me something about her myself. Is it Irish?
JH: No, it’s Spanish and Portuguese. It derives from the word “infante,” a title for the children of royals.
Rihanna: Get out of here!
JH: It’s a medieval name.
Rihanna: That is tripping me out.
JH: Does it trip you out that Fenty gets to open so many doors? How are you looking to make room at that table of luxury design for other black, brown and female designers?
Rihanna: I like to think of my establishment at the Fenty house as a hub. So I am always looking at grad collections, who’s about to leave college, who wants a year here. And we’ve done that with a couple of young designers and a couple of new ones that are coming in. Even if you’ve never designed something in your life, you might have an impeccable taste: I’m welcoming everyone’s vision here because that’s what it’s gonna take. I can’t just think I know everything. I’m very smart with my control freak — a smart control freak. I welcome other people’s expertise. I love new, young talent.
JH: Who was really generous with their knowledge with you?
Rihanna: Jay Brown, my manager who started off as my A&R. He’s been a father figure in my life.
JH: Jahleel said that when you hired him you gave him “his freedom papers.” He’s free to walk through the LVMH headquarters in Paris and be who he wants to be. Where does that freedom come from? From being affiliated with you?
Rihanna: No, because even within being Rihanna, that freedom didn’t exist for a while. “Good Girl Gone Bad”
is where I started to take the reins: “I’m going to do whatever I want to do, I’m taking control of my vision, my sound, my clothes.” I also embraced change along the way — things that make me a better woman, a better human being. Like, even the way I communicate: I’m really proud of my growth on that. I’m proud to walk into any building as this person. Nothing about me makes me embarrassed about me.
JH: You did an interview in 2012 where you said you used to change your voice in business meetings. Was that one of the pressures you felt in that era, to be a certain type of Bajan woman in American society?
Rihanna: No, that was the pressure I felt from the jump, with “Music of the Sun.”
I’m walking into a new world, new industry, with people who have been doing this forever. I’m literally from a rock in the ocean.
JH: You were 15!
Rihanna: Right. You know nothing then. So you just take these people’s advice, and you realize, This is not who I am. It was the pressure of feeling safe in a box. I never liked that feeling, and so I grew out of that box when I couldn’t take it anymore, and I just went for it.
JH: Is “Good Girl Gone Bad” your favourite album?
Rihanna: No, because that was a transition. I don’t know what my favourite album is — I’m sure if I put all my favourite songs together, it would be a really sick album. Maybe I should do that one day.
JH: You should troll your fans by doing that. Be like, “New album, y’all!”
Rihanna: They would hate me. They would take me down.
JH: I’m not in the Navy, but I am Navy adjacent. So I have to ask some questions I saw floating around the message boards.
Rihanna: O.K. [Laughs.]
JH: Is it true you are doing a reggae album?
JH: You are? O.K., are you collaborating with Lady Gaga?
JH: Oh, they think you’re doing a collaboration with Lady Gaga.
Rihanna: Maybe because she followed me on Instagram. It’s not in the books right now, but I’m not against it.
JH: Are you going to collaborate with Drake again?
Rihanna: Not anytime soon, I don’t see it happening. Not on this album, that’s for sure.
JH: What is the album called?
Rihanna: Uh, I don’t know yet.
JH: If you don’t know yet, then you probably don’t know when it’s coming out?
Rihanna: I don’t.
JH: Do you have any names under consideration?
Rihanna: No, so far it’s just been R9, thanks to the Navy. I’m about to call it that probably, ’cause they have haunted me with this “R9, R9, when is R9 coming out?” How will I accept another name after that’s been burned into my skull?
JH: It’s this gift to the fans who have been most hungry for it.
Rihanna: That would be cute.
JH: You are one of our only immigrant pop stars in America, 21 Savage being another. Did coming from an island that’s 90 per cent black make it feel natural to have 40 distinct shades in the first run of Fenty Beauty?
Rihanna: In my own household, my father is half black, half white. My mom is black from South America. I was seeing diversity. That’s all I knew. Growing up, I wanted to be darker, always. So, making makeup, it wasn’t even a thing I had to think about. I didn’t even really know how bad it was, the void in the market for dark foundation because all I’d seen was black women put makeup on. I don’t even think 40 shades is enough! And so I added 10 more recently, and we’re not gonna stop there.
JH: A few years ago, you started going on a “thicc” journey. How did that change how you looked at inclusivity with regard to your fashion line?
Rihanna: It just changed how I dress in terms of my proportions. You wear what looks good on you and that’s it. I’m thick and curvy right now, and so if I can’t wear my own stuff then, I mean, that’s not gonna work, right? And my size is not the biggest size. It’s actually closer to the smallest size we have: We go up to a [French size] 46.34 We’re saying we can meet you at any one drop that we put out.
JH: Let’s talk about those monthly drops, which is one of the innovative aspects of this: Fenty will be releasing several new items — from basics to special pieces — exclusively on its website. How did you come up with the distribution model?
Rihanna: Because I’m a millennial, you know? People are always looking for the thing that hasn’t made it online yet. And as a consumer, I hate seeing something on the runway and then having to wait six months for it. I had to wait all that time to get it, do I even…
JH: Love it anymore?
Rihanna: Yeah! So with this, you see it, you love it, you can have it. I want to be as disruptive as possible. The brand is not traditional. There is no runway show. It’s a new way of doing things because I believe that this is where fashion is going to go eventually.
JH: Was there any white knuckling in the LVMH offices when you presented this distribution model? Tradition is a major pillar of that company.
Rihanna: Believe it or not, it’s the thing that actually excited Mr Arnault. He hasn’t started a brand from scratch for a while. It’s his baby as well. He is so hands-on, which validates how I handle things.
JH: Jahleel said Fenty is being released like a bunch of singles that add up to an album.
Rihanna: That’s a cute analogy.
JH: What do you think is the vibe of the first single?
Rihanna: The first single is really strong and edgy, compared to the drop right after, which is a little more feminine. But the first one, there are a lot of classic pieces as well.
JH: I think you have your Fenty little black dress in there, with the vents and high shoulder.
Rihanna: I see a lot of these pieces as classic pieces. They’re not gonna go out of style.
JH: What are you inspired by as you prepare for the next few drops?
Rihanna: Free postcards or booklets at hotels in Barbados from years ago: You’ll see some of those on our T-shirts. There are also these prints that look like really ancient paintings that we’re making dresses and skirt suits out of.
JH: With all of these pieces, who else do you think is in conversation with them? What should shoppers pair with Fenty?
Rihanna: I don’t care what you pair it with. Whatever you want. You know, when I was younger, I couldn’t afford everything, but a pair of Timberlands: That was my Dior. And I had to save my money for a whole school year to get those Timberlands that I wanted, and I did it. Shoot, if your closet is full of Dior, go for it, put Fenty on with that. But you might have some Balenciaga sneakers and a Fashion Nova fit that my jacket is super lit with.
JH: So that little girl that’s saving up pennies for Timberlands, what do you say to her right now?
Rihanna: It’s the thing that keeps me asking: So how much is this gonna cost at retail?
How can we bring the price down without compromising on quality?
JH: I can’t get over the fact that you know, the fashion industry is historically so explicitly white, it’s so racist, it’s so classist and it’s so sexist. Have there been moments where, as a black woman, you’ve felt like an outsider in this space? Or does being Rihanna alleviate that?
Rihanna: It’s never alleviated, you know? You’re going to be black wherever you go. And I don’t know if it’s unfortunate or fortunate, because I love being black. So, sorry for those who don’t like it — that’s the first thing you see before you even hear my voice. There are also other factors: I’m young. I’m new to the family. I’m a woman. Those factors do come into play, but I will not apologize for them, and I will not back down from being a woman, from being black, from having an opinion. I’m running a company and that’s exactly what I came here to do. I don’t know if it makes people uncomfortable or not, but that’s not even my business, you know? I do know that the reason I’m here is not because I’m black. It’s because of what I have to offer. That’s what they’re invested in. And the fact that I’m black is just that: a fact.
JH: I feel like your ability to take on that fight seems so indebted to your mother, Ms Monica,36because you often discuss how she is most proud of you when you stand up for yourself. I wonder, does anything surprise her now?
Rihanna: When I told her about LVMH, she just couldn’t believe it. She said, “Oh God, glory, glory to God.” She’s so proud, so happy, and she’s still pinching herself. She carries my makeup in her store37 in Barbados. It’s a full circle because she was the one who brought me into the department store after school — all that makeup, it was fun.
JH: I was at my mom’s feet in a hair salon. I know she’d want to know: Do you have Fenty hair coming?
Rihanna: As soon as I’m ready to give up the two hours of sleep that I get now, that’s for hair. You know we’re not stopping.
JH: As a playwright, I have to ask: Would you act again? Pull “A Star Is Born?”
Rihanna: I’ll probably try a little more,38 but not until I know I can handle a lead and carry a movie on my own because I’ve been offered —
JH: I’m sure.
Rihanna: I’m always like, “Guys, thank you for trusting me, but Angelina Jolie is over there.”
JH: What else are you afraid of? Do you hold fear at all?
Rihanna: I am afraid of being afraid, because I know that means it’s wrong. If I feel fear, that means it’s not right.
JH: Did you feel fear when it came to working with LVMH and Arnault?
Rihanna: No, I got this pressure to not let Arnault down. I felt like this is a moment in history that I have to live up to. This is my one shot and I only get one time to do it and it can’t be wrong. But I did get fear one time in my life, I can’t remember exactly about what: I remember my mom saying, like, “I see something in your eyes I’ve never seen before.” And I was like, “What?” And she was like, “Fear.” And I started crying. So any time I get that anxiety feeling, I literally try to shove it right back down to nothing.
JH: You visualize it. Before I go, one last question: When are you going to take a vacation from all of this? Is it going to be when you’ve made enough money — is there a number in your mind?
Rihanna: I never thought I’d make this much money, so a number is not going to stop me from working. I’m not being driven by money right now. Money is happening along the way, but I’m working out of what I love to do, what I’m passionate about. Work will change when my life changes in the future but an amount of money is not going to stop that.
JH: If money’s not driving the work, what does the money mean, then?
Rihanna: The money means that I can take care of my family. The money means that I can facilitate the businesses that I want to. I can create jobs for other people. My money is not for me; it’s always the thought that I can help someone else or, in the future, for if I have kids. The world can really make you believe that the wrong things are a priority, and it makes you really miss the core of life, what it means to be alive. It could literally be walking outside in the sun. That makes me happy. Like going to the grocery store — you know, there’s a cute little Jamaican market near where I live right now.